I see life as a lifelong work of art, and creation itself as the blade that carves the self. The moment you stop creating, your talent ceases to matter; all that remains is taste — like holding a finely honed knife with no use for its edge. And taste, left on its own, begins to consume you: it makes you reject others, and your life gradually narrows.
So, create.
“Vision is the freedom to think through image, style, and form.”
A speculative 3D design project combining scanned reality with digitally constructed imagination. Through objects inspired by automotive culture and industrial forms, the project creates a stylized visual world where utility, speed, and futuristic aesthetics collide.
This project combines street photography, 3D elements, and digital graffiti to reinterpret urban youth culture through a layered visual language. Blending reality with imagination, the work transforms everyday city moments into a stylized and energetic visual experience.
This project explores the reconstruction of visual language through graphic fragmentation, composition, and systematic experimentation. Combining illustration, typography, and modular elements, the work focuses on rhythm, balance, and the expressive potential of graphic form.
This project explores visual identity through graffiti typography, graphic experimentation, and color interaction. By combining symbols, patterns, and expressive forms, the work investigates the energy and emotion of contemporary street-inspired visual culture.
“An exploration of identity, culture, and self-expression through image and form.”
Growing up with a birthmark, I began to see graffiti in the city the same way I saw marks on my own skin — often judged, misunderstood, or seen as flaws. This project reinterprets graffiti as part of a city's identity, where what is considered imperfect can also become something unique.
This project explores the transformation of hip-hop culture through a collective portrait of different rappers, divided by blue and red tones to contrast conscious rap and mumble rap. Once rooted in resistance, social critique, and street expression, hip-hop has gradually shifted toward entertainment and performative identity. Through this contrast, the work reflects the social and cultural changes behind that evolution.
Stitchezzz is a visual project built around the idea of stitching together different cultures, styles, and identities. By combining street elements, symbolic imagery, youth culture, and the fusion of 2D and 3D visuals, the project explores how contrasting influences can coexist to create new perspectives and forms of expression.
Using graffiti-inspired typography and water imagery, this poster reflects on the growing pollution of natural water sources. The phrase ‘let the water be clear again just like it once was’ becomes both a statement and a reminder — expressing the desire to restore something once pure, but gradually damaged by human impact.
“Where ideas are translated into functional visual systems.”
牧谷雨 — harvest of patience
A character-driven mark built from a single hand-drawn glyph, fused with a stalk of wheat at its center. The seal-script weight gives the logo a grounded, almost agricultural presence, while the warm gold accent softens it into something edible — a brand that smells like rain on dry fields. The system extends across kraft packaging, monochrome stationery and red-seal signatures, holding a single visual rhythm across every touchpoint.
赛鼎股份 — weight of authority
The brief asked for permanence, and the answer was a glyph drawn like a ritual bronze vessel — the ancient ding reimagined as a corporate seal. Months of iteration are still visible in the wall of sketches: nine candidate forms, each pulling the silhouette in a different direction, before settling on the final wide-stanced mark. It is meant to feel less like a logo and more like a stamp.
Jing Cheng Mining SDN.BHD.
A monogram cut like ore. The letters J and C are framed inside a faceted hexagon with a mountain silhouette rising from the top — one mark that reads as both a corporate seal and a piece of mined rock. Pushed across signage, embossed stamps and printed collateral, the identity stays angular, mechanical, and unmistakably industrial.
a small garden, drawn by hand
A closing folder of more illustrative work, where the logo stops being a corporate stamp and starts behaving like a small drawing. From the botanical capsule of L’Éden, to a torn-metal mark for a billiards supplier, to a brushy circular seal — each one was an experiment in how much narrative a single mark can carry before it stops functioning as a logo.
“Where ideas move beyond the screen and exist within physical space.”
Resin · 3D Print · Airbrush
This 3D installation explores how young people are shaped and restricted by social labels and expectations. Identities such as “student,” “worker,” and “consumer” are placed directly onto the figure, reflecting the pressure of becoming who society and family think we “should” be.
Wood Panels · Modeling Clay · Steel Tubing · Neon · Acrylic
Music is the language of the world — so can music be seen? The transition from hearing to seeing may lead to unexpected sparks, translating sound into structure, color, and the volume of physical space.
Cardboard · Kraft Paper · Yarn · Personal Illustration
Balance creates opposition, opposition creates destruction, destruction creates balance — everything has a point of balance. A folded-paper diorama that holds light against dark, growth against decay, all stitched together with a single red thread.
“Where rhythm, emotion, and visual storytelling unfold through movement and time.”
FILM 01
SHORT FILM
FILM 02
MUSIC VIDEO